10/12/2026
I have been reading online Salt Town (《盐镇》), a 2023 nonfiction book by Chinese journalist Yi Xiaohe (易小荷). The book focuses on Xianshi Ancient Town (仙市古镇), a historic salt-transport wharf in Zigong, Sichuan Province, southwestern China. The town's history is closely tied to the salt trade.
In 2021, Yi spent a year living in the town. She interviewed nearly a hundred residents and selected twelve women from different generations to tell their life stories. Through their experiences, she presents an unvarnished picture of ordinary women's lives and the hardships they face.
The women range from a seventeen-year-old who left school early and became involved in nightlife to economically independent women who are afraid to divorce, a matchmaker who experiences domestic violence, and a woman in her nineties who has been married four times and still runs a small business.
Their stories touch on many interconnected issues: marriage and divorce, domestic violence, poverty and economic dependence, limited educational opportunities, traditional attitudes toward women, and the social pressure to marry and remain married. They also reveal the gap between changes in laws and society and the realities of everyday life.
"婚姻和贫困成为套在女性脖子上的双重绞索," meaning: Marriage and poverty have become a double noose around women’s necks. Patriarchal expectations, domestic violence, social gossip, and limited opportunities make it difficult for them to take control of their own lives. Hard work alone may not be enough. They must also confront the power that husbands and male relatives exercise over them, as well as the social expectations that constrain their choices.
She says, "Today, in the 21st century, while we debate women's rights in Beijing and Shanghai, these women are still trapped in the same cycles of suffering that women endured in ancient times." This is one of the book's central observations: although China has changed enormously, traditional ideas about marriage, family, gender roles, and women's reputations remain deeply rooted in some small towns. There are more than 40,000 towns and townships in China.
The book does not portray these women merely as victims. They suffer, struggle, and sometimes find unexpected ways to survive. Their stories reveal both the weight of social constraints and the courage and resilience of the women living under them.
My overall impression is that life in a small town can be particularly harsh for women when customs and traditions leave them little room to make their own choices. Leaving for a big city may seem like the best way to gain independence, and escape the heavy oppression in the old town.
But when I discussed the book with a relative, she raised another consideration: the loneliness and alienation a person may experience when living alone in a big city. In one's hometown, even when family relationships are complicated, relatives and familiar neighbors may provide some practical help and emotional support. In a big city, people may enjoy greater freedom but have no one nearby to turn to when they need help.
This made me think that leaving home may not always be the best choice. A small town may offer a sense of belonging while restricting a woman's freedom. A big city may offer more freedom and opportunities while demanding that she build a new support network from scratch.
Perhaps what women need most is the freedom to choose how they want to live—without being trapped by poverty, unhappy marriages, or the fear of what others will say. Independence means having the freedom to leave, to stay, and the means to build a decent life either way.
A friend wrote this after reading the book, “ 社会文化环境造就的女性群体悲剧
——读《盐镇》有感
昨天晚上读完了《盐镇》全文,这本书和我最开始预想的不太一样。我原以为是讲一个川南小镇的历史变迁,结果全书描述的是小镇上十位普通女性的故事。这些女性年龄最小的只有17岁,年龄最大的是90岁,基本上覆盖了所有年龄层,为读者提供了一个非常生动和丰富立体的小镇女性画像。
在阅读这些小镇女性生命中的悲欢离合时,我其实心里非常难受。在阅读其他的文学作品的时候,我经常会有一种抽离感,因为大部分的人和事离我比较遥远。而这本书却让我有非常深入的代入感,也许因为我也出生在川南农村,所以书中的方言和风景对我来说都是再熟悉不过,更多的原因则可能是因为书中的人和事都能在我身边找到原型,有的故事就是我身边亲友邻居,甚至自己母亲或者姐妹的故事。
我的生活中一直充斥着各种女性悲剧故事,但平常我都只把它作为个例看待。当这本书把这些故事一呈现出来的时候,我才意识是一切都并不是仅仅个例,不是遇人不淑,不是运气不好,而是整个乡土文化,整个小镇的社会运行系统在对女性进行系统性的剥削和压迫,我不由得感到悲哀与绝望。
书中的绝大部分女性都遭遇了严重的家暴,无论是来自父亲还是来自丈夫。当然也能从书中发现,随着时代的变迁,年轻女性遭受家暴的比例确实在下降。但这个变化并非来自男性本身的觉醒,而来自年轻女性敢于说不、敢于离婚的比例变多。
我曾以为家庭中的不平等主要来源于经济地位不平等,因为男性具有更多的赚钱能力,是家庭的主要供养者,导致他们天然处于上位,因此只要女性有了相应的经济实力,家庭地位就会自然而然提高。看了此书之后,我这其实是错的,因为书中绝大部分的女性都非常勤劳,都在赚钱养家。事实上,由于书中大部分男人都有抽烟喝酒赌博的恶习,基本上自己挣的钱不够自己花,女性才是家庭的主要供养者。因此导致家庭地位不平等的原因并不是经济地位,而是由于传统的社会观念对女性的约束和压迫。比如书中的女性大多数都不敢离婚,或者偶尔一两个事业有成的女强人离婚之后,二婚仍不幸福却不敢再次离婚,原因都是害怕外界的舆论。而书中的男人不管是烂酒、赌博还是嫖娼,都不会受舆论的困扰和鞭笞,更不要说抽烟喝酒打老婆孩子这种日常操作了。
社会观念对小镇女性的压迫还体现在对女性的物化上。书中多次描写到,在小镇上评价一个男人是否成功的标准是他拥有的资本,而评价一个女人是否成功的标志是在于她是否有人要。因此依据这个评价体系中,单身的女人无疑是失败的,离婚的女人不管有多少钱也是失败的。这让我想起了前几年回老家听到了一个故事,两个中年妇女吵架,最大的攻击点就是对方有女性亲属离过婚,无论离婚原因是谁的过错,离婚都是这位女性和她的所有亲属洗不掉的污点。[破涕为笑]
前段时间网上有一句话,说优质男性的品质,其实在大部分的女性身上都司空见惯。所以男性没进化好,天性就比较恶劣。看了《盐镇》后,我觉得这个论调完全是错误的。书有一个故事是关于一对女同的故事,这对女同因为工作都是在体制内,和镇上的人打交道不多,所以较少受到舆论的影响。女同中的妻子,不是天生的同性恋,而是因为在当地找不到优质的男性,被迫选择了这位女性作为丈夫。而扮演男性的这位女同,一开始是很鄙视周围男性的所作所为的。但是当她扮演丈夫的时间越长,她越来越像周围的男性,即抽烟喝酒赌博打老婆不做家务,这些都变成她彰显男性气质的方式。看完这个故事后,我觉得男性并不是天生自制力差、恶习较多,而更多是社会环境的影响和纵容。
前几年我很想去参加司法考试,想通过后去NGO做困境女性的公益法律援助工作。后来因为种种原因没有进行。看完这本书我就在想,这样的工作当然想起来很有意义。但事实上,更多时候都是非常无助的,有可能很多女性根本不敢离婚,因为舆论或者社会的压力根本不敢离开那个剥削和压迫她的环境。很多女性甚至已经把很多剥削压迫进行合理化和美化,同时还主动去维护这样的社会结构,从一个受害者逐渐演变变成施暴者。所以,个人身体力行去解救被压迫的女性当然很好,但作为一个女性主义者,不断地发声呐喊倡议也同样有意义。从这个意义来讲,我觉得一下易小荷的这本《盐镇》的选材和视角非常棒!
前几天和女儿聊天时,女儿说她问过ChatGPT,男女平等什么时候真正才能实现?ChatGPT说还要120年。我觉得AI也许也许是对的,但如果我们都不作为的话,这个时间或许会需要更久。在这个平等真正实现之前,我们都应该努力去发声、去揭露、去批判、去身体力行的影响周围的人,影响这个世界,让这个世界变得更好些,让真正的平权能早一日到来。这应该是我们这一代人的使命,也是我们人生的意义所在。”